Entertainment Conference: Navigating New Challenges

The legal landscape around funding incentives, copyright, and AI is rapidly evolving. One year on from major reforms to the Producer Offset and Division 376, it is essential to be across updated QAPE assessments, recent AAT appeals, and the changing role of Screen Australia. At the same time, the rise of generative AI is prompting a re-evaluation of copyright law and regulatory frameworks in Australia and globally. This program will also address key developments in cultural rights and workforce trends. Be prepared for the introduction of ICIP legislation, significant shifts in the engagement of crew and talent, and the complex legal issues surrounding DGR-endorsed cultural organisations, including governance, tax, and contractual considerations. You will gain insights from senior legal professionals and industry leaders to equip you to provide informed, strategic advice in an area of law undergoing substantial and ongoing transformation.

Wednesday, 11 March 2026

Early Bird Discount ends 19 Dec 2025
2.00pm to 3.00pm Imminent ICIP Legislation: Protecting Indigenous Cultural and Intellectual Property in Media and the Arts

 

  • What is Indigenous Cultural and Intellectual Property (ICIP)
  • Update on progress of drafting standalone ICIP legislation
  • Relationship with existing legal mechanisms
  • Issues to be aware of/embedding best practice amongst entertainment industry professionals

Presented by Dr Louise Buckingham, CEO, Arts Law

3.00pm to 4.00pm Contracting With Cast and Crew – The Do’s, Don’ts and Latest Developments

 

  • Understand engagement, contracts, collective agreements, awards, rights, responsibilities, termination, and going forward 

Presented by Greg Duffy, Partner, Frankel Lawyers

9.00am to 10.00am One Year On: Producer Offset, Division 376, and AAT Appeals

 

  • Key updates and developments in the Producer Offset and Division 376 over the past year
  • Navigating QAPE assessments and common contracting pitfalls
  • The evolving roles of Screen Australia and the PDV Office in offset administration

Presented by Janine Pearce, Principal, JP Media Law

11.15am to 11.45am Part 1: Updates following the Productivity Commission’s Reports around Generative AI Outputs

 

  • Application of the reproduction right to AI training and look up
  • Fair dealing defences and AI
  • Recent US and EU case law
  • Copyright Act Technological Protection Circumvention provisions: potential application
  • Government decision not to have a text and data mining exception
  • Productivity commission report (Due December 2025)

Presented by Sophie Dawson, Partner, Johnson Winter Slattery; co-author, Media & Internet Law & Practice

Session 1: Industry Frameworks and Legal Developments

Chair: Janine Lapworth, Legal Consultant

10.00am to 11.00am Misleading, Deceptive Conduct, Passing Off and the Protection of Personality Rights

 

  • Case studies of potential misuse of identity, image, likeness, voice, personality
  • The rights of personality and publicity - the position in the US
  • How would Australian law deal with these issues – passing off and consumer law?
 
 

Presented by Rebecca Dunn, Partner, Gilbert + Tobin

4.00pm to 4.15pm Afternoon Tea
Session 2: Cultural Right, Workforce Trends and NFP Challenges in Entertainment and Media

Chair: Kevin Lynch, Partner, Johnson Winter Slattery

11.00am to 11.15am Morning Tea
4.15pm to 5.15pm Cultural Organisations and the Creative Industries: Legal Challenges for DGR-Endorsed Entities

 

  • Structuring and governing DGR-endorsed cultural organisations within the creative sector
  • Navigating State and Federal charity and tax law compliance
  • Managing copyright ownership, moral rights and contractual arrangements
  • Funding, sponsorship and grant issues for entertainment and media entities

Presented by Jake Blundell, Partner, Banki Haddock Fiora; Doyle's Guide 2024 Recommended Technology, Media and Telecommunications Lawyer

Description

Attend and earn 7 CPD units in Substantive Law
This program is applicable to practitioners from all States & Territories 

11.45am to 12.15pm Part 2: Overview of Global Approaches to AI Regulation and Australia's Legislative Plans

 

  • Global approaches to AI regulation: EU, China and US
  • Australia's voluntary standards
  • Australia's proposed mandatory safeguards 

Presented by Professor Mimi Zou, Head of School of Private and Commercial Law, Faculty of Law and Justice, UNSW Sydney 

12.15pm to 1.15pm Panel Discussion: Regulating the Stream: Legal and Compliance Implications of Australia’s New Streaming Content Obligations

 

This session will explore the newly announced regulatory regime which targets global streaming services operating in Australia. Hear about the new local-content obligations for global streaming services and compliance implications for platforms, content producers, and rights-holders.
Panellists: Jane Mulligan, Director of Policy, Screen Producers Australia 

AI AND COPYRIGHT – IMPLICATIONS OF LEGAL AND REGULATORY DEVELOPMENTS FOR ENTERTAINMENT LAWYERS

Presenters

Janine Lapworth, Legal Consultant
Janine Lapworth is a Senior Consultant with extensive experience in corporate, commercial, intellectual property, and entertainment law. She has worked at national and international law firms, as well as in senior in-house legal positions at the Australian Broadcasting Corporation and ESPN Star Sports. Janine advises a diverse range of clients, including international studios, industry groups, tech start-ups, and creative businesses, focusing on areas such as television production, distribution, publishing, and general IP contracting.

Rebecca Dunn, Partner, Gilbert + Tobin
Rebecca is a partner in Gilbert + Tobin’s Tech & IP group and an experienced litigator in intellectual property and media law. She specialises in copyright, defamation, trade mark litigation, and Australian Consumer Law, with particular expertise in the online space. Her enforcement work spans national and international clients in the film and music industries, and she has litigated in the Supreme and Federal Courts, including at the High Court of Australia. Rebecca serves as President of the Communications and Media Law Alliance and is a member of several professional societies. She holds a Bachelor of Law (First Class Honours) from the University of Sydney, a Bachelor of Arts from the University of Newcastle, and a Master of Research focused on social media law and democracy.

Dr Louise Buckingham, CEO, Arts Law
Louise Buckingham is the CEO of the Arts Law Centre of Australia. She is a lawyer and academic who has specialised in intellectual property and human rights and worked in commercial and in-house roles across the corporate and not-for-profit sectors in Sydney, London and California (beginning at Corrs Chambers Westgarth, Sydney, and most recently in the award-winning Tech + IP and Innovation teams at Gilbert + Tobin with several years as the Senior Lawyer at the Australian Copyright Council and an editor of the Copyright Reporter along the way). She is committed to the arts and creators’ rights, and lectures in NSW IP and cultural heritage and ‘art law’ in law, arts and science faculties. Louise has a PhD (Faculty of Law Award for Excellence), UNSW; an MSC from the London School of Economics, and an LLM and BA(Hons)/LLB(Hons) from the University of Sydney and was admitted to practice in NSW in 2000 and in England and Wales in 2005. She is a committee member (NSW) of IPSANZ and the Trans-Tasman Copyright committee, and is a participant member of Australasian Intellectual Property Academics, and IP Teachers conferences.


Sophie Dawson, Partner, Johnson Winter Slattery
Sophie is a Media, Entertainment and Technology partner with extensive intellectual property, privacy and disputes experience. Sophie’s copyright experience includes acting for Nine Entertainment in litigation in which it successfully resisted an interlocutory injunction application by another media organisation in relation to a reality television cooking show, acting for two of the world’s leading computer games companies in relation to authorisation by modders of copyright infringement by end-users of popular computer games. She has also acted for IT companies in relation to strategic intellectual property issues arising in contentious matters. Sophie also acted for Samsung in relation to its 3G Telephony patent claim against Apple. Sophie is recognised as a leading TMT: Media lawyer in directories including Legal500 and Chambers AsiaPacific. She is co-author of Thomson Reuter’s Media & Internet Law & Practice and is a member of the advisory board of the UTS Centre for Media Transition.

Janine Pearce, Principal, JP Media Law
Janine practiced in the areas of tax, securities and mergers+acquisitions for 6 years at the New York and Tokyo offices of Cleary Gottlieb. Thereafter, she worked at Showtime Networks in New York, where she managed television distribution contracts and advised on advertising, antitrust, copyright and trademark law. In 1998, she moved to Australia and worked at the Film Finance Corporation (predecessor to Screen Australia) in Sydney advising on investments in feature films and television drama until 2006. She subsequently joined an entertainment boutique firm helmed by Nina Stevenson. Since 2008 she has operated a sole practice, JP Media Law + Consulting, where she represents creators, financiers and producers and advises on all aspects of contract and copyright law, financing and distribution. She is qualified to practice in Australia and the United States. She has a Bachelor of Arts degree from Georgetown University and a Juris Doctor degree from Columbia University School of Law.

Jake Blundell, Partner, Banki Haddock Fiora
Jake specialises in media law and defamation, acting for a number of news media organisations and broadcasters. Jake has represented media organisations, including Nine Entertainment, in relation to non-publication and suppression order matters and applications seeking media access to court documents. Jake has been involved in defamation litigation in a range of jurisdictions, from the NSW District Court to the High Court of Australia. He also played a central role in coordinating Banki Haddock Fiora’s submissions in relation to the recent defamation law reform process, and the NSW Law Reform Commission’s ongoing review of the legislative provisions relating to access to court documents, closed court procedures, suppression and non-publication orders. Jake has also advised clients in the technology, film, television, and music industries and not-for-profits in relation to reputational, structuring, corporate and commercial matters. Jake is a member of the board of PACT Centre for Emerging Artists.

Kevin Lynch, Partner, Johnson Winter Slattery
Kevin has over twenty years’ experience in advising media and technology companies in relation to defamation, contempt, privacy, legislative restrictions, broadcast regulation, copyright, contractual matters and trade practices. With the JWS team Kevin provides dedicated defamation and pre-publication advice to prominent online, radio and television clients, including multinational media distributors and publishers. The 2020 edition of the Asia Pacific Legal 500 lists Kevin listed as a leading individual in media and entertainment where he is described as “a valued adviser, bringing exceptional experience, grounded assessment of claims and commercially-based advice across a range of specialised areas”. Chambers and Partners ranks Kevin as a notable practitioner – “an experienced and extremely capable lawyer who takes a very commercial approach to his matters”.

Jane Mulligan, Director of Policy, Screen Producers Australia
Jane has previously worked at senior levels of government for Ministers and Shadow Ministers as well as a Senior Government Lawyer in the Department of Education and in other government agencies across a range of policy areas, including communications matters.

Professor Mimi Zou, Head of School of Private and Commercial Law, Faculty of Law and Justice, UNSW Sydney
Her research focuses on private & commercial law issues arising from AI and blockchain and the regulation of these new technologies. Prior to joining UNSW, she held senior positions at top universities worldwide, including the Chair in Commercial Law at the University of Exeter, UK and the first-ever Fellowship in Chinese Law at the University of Oxford. She also founded and led Oxford’s first lawtech research and innovation lab. She received the Global Australian Award for Technology in 2024.

Greg Duffy, Partner, Frankel Lawyers
Greg Duffy started as an employed Solicitor with Michael Frankel & Co. Solicitors in 1993. With the inception of Frankel Lawyers he commenced as a Partner with Michael Frankel and Raena Lea-Shannon in 2005. He specialises in Intellectual Property, Media and Entertainment Law, particularly in the areas of Film, Television, Literature, Theatre, New Media and Trademarks. Much of his time is spent on development agreements, financing, production and distribution related legal issues and he has a depth of experience in film, television, employment and defamation litigation in the Federal Court, the Supreme, District and Local Courts of New South Wales, and the Fair Work Commission of Australia.

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Entertainment Conference: Navigating New Challenges

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All Sessions
Wednesday, 11 March 2026
9.00am to 5.15pm Australia/Sydney
CPD Points 7
$795.00
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Morning Session
Wednesday, 11 March 2026
9.00am to 1.15pm Australia/Sydney
CPD Points 4
$505.00
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Afternoon Session
Wednesday, 11 March 2026
2.00pm to 5.15pm Australia/Sydney
CPD Points 3
$420.00
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Venue
Sheraton Grand Sydney Hyde Park

161 Elizabeth Street, Sydney 2000

Directions

Nearby transport options:

Bus Station: Hyde Park, Park St, Stand C

Metro Station: Gadigal Station

Train Station: Museum Train Station

Parking Information

Parking is not included in your registration. Here are some nearby parking options:

Sheraton Hotel Car Park - Secure car park entry is via Castlereagh Street, it has 8 electric charging stations. Early Bird Parking Rate is $45 if you arrive before 9am and depart before 6pm. Further information can be found here.

201 Elizabeth St Car Park - Located a 2 minute walk away from Sheraton Grand. Entry via Castlereagh Street. Click here for rates.

Wilson Parking Citigroup Centre Car Park - Located a 5 minute walk away from Sheraton Grand. Entry: 271 Pitt St. Click here for rates.